In the 2nd Hal of 1970s, Japanese people, who had remained low-key from a perspective of Western-oriented sense of values, leaped onto the world stage. 1960s/he peak of Western-oriented makeup like Western dolls In line with such social climate, makeup, which was characterized by cheeky lifted eyes in the 1960s turned into the droopy counterparts with eye shadows under the lower eyelids, with eyebrows becoming extremely thin, giving rise to a decadent atmosphere on the whole. In the 1970s, issues ranging from the Vietnam War to the antiwar movement, to the emergence of hippies, the oil crisis or pollution on the back of rapid industrialization cast a dark shadow over Japan, which had been developing at a fast pace after World War II.
#Japanese top 100 models skin#
As for the skin, though Western-oriented bright pinkish colors remained predominant, suntanned skin colors became a huge craze for the first time in Japanese history. Along with this shift, eye makeup with double lines on the upper eyelids and flashy false eyelashes emulating big sculpted eyes like a Western model became a fad.
#Japanese top 100 models tv#
Women’s fashion icons shifted from actresses on the screen to models who appeared in TV commercials. As for makeup, in particular, people broke away from the traditional three primary colors, with pale sherbet tones on the lips emerging the width of makeup was enlarged dramatically. 1920s/A modern girl in Taisho Romanįrom the 1960s to the first half of the 1970s, Japanese people became fully aware of the world. A wide variety of cosmetics became available in those days, helping women increasingly enhance their awareness of variations of flesh color but generally they did not go beyond the framework of the three primary colors of Japanese traditional makeup, i.e., whitish skin, black eye lines and red lipstick. In the postwar 1950s, strong-willed square thick eyebrows and lifted eyes using eyeliner caught on, from which you can read the strength of Japan undergoing the reconstruction phase. It graphically represents the fact that the influence of the West gained force, which was widely different from the aesthetic awareness of Japan’s traditional makeup. In the subsequent 1930s, eyebrows changed to arched ones and lips were overdrawn for enlargement. It can safely be referred to as the times when Japanese traditional makeup switched to the Western counterpart with no sense of strangeness.
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Makeup in the 1920s expresses an extremely helpless look with thin sagging eyebrows, droopy eyes with eye shadows at the corner of the eyes or thin puckered lips but bears strong similarities to Japanese traditional makeup. The role models are actresses on the silver screen or Western iconic stars. What is common to makeup from the 1920s to the first half of the 1950s is admiration for Western culture.